here in cowtown, the rodeo is in full swing. loving thanks to the brilliant (now former) managing & artistic producer ann connors. i’ve seen wonderful works with true “diversity*” at the centre of them. (*a complex & shudder inspiring word at times, but when it’s true…) treated to fierce radical love with Hot Brown Honey, great imaginative world wondrousness with Inner Elder by Michelle Thrush at Lunchbox Theatre and a moving portrait of family and legacy in Empire of the Son at ATP. smaller fest next stage also brought amanda cordner and Body So Fluorescent, which really shook us in the best way! (thrush was in attendance, as was bruce mcculloch, which is a trip, to be among legends of cowtown!)
so anyway… i was among a few invited to partake in boca del lupo’s red phone project. my work is about how ALL OF US ARE RACIST. fun, right?
ever lucky, me! i write this from the Evamy cabin in the Leighton Artists Colony at the Banff Centre. with thanks to the Banff Playwrights Colony and brian quirt for having me here on two weeks’ retreat. back in april for the full ensemble company!
proud to be a contributor to the Nolan/Knowles anthology Performing Indigeneity.
very interesting list recently compiled as an endeavour of fu-GEN theatre’s new Walk the Walk festival. it is 49 titles of production-ready plays written by “women of colour.” my adaptation of strindberg’s Miss Julie is among them.
nice to have ARTICLE 11 premiere featured in Amanda Parris’ cbc column.
featured over the 2014 Aboriginal Day weekend in sexy online mag, Urban Native Magazine.
very excited to be this cold and productive at the prestigious Berton House.
[from Jan 2014 and earlier]
and heather at WCT made this.
and jovanni, the AD at gateway did this!